Bassist and backing vocalist Noel Redding (left) and drummer Mitch Mitchell (right)

Sunday, May 20, 2012

Jimi and his Guitar

Jimi got his first guitar when he was sixteen.  He told his dad about a deal for a secondhand acoustic guitar for five dollars and his dad agreed to buy it from him.  From that day forward, Jimi and the guitar were inseparable entities.  A year later, he bought Jimi an electric guitar.  While Jimi was a lefty, both of these guitars bought by his father were righty guitars.  Jimi therefore learned to play with the neck upside-down.  In the summer of 1961, Hendrix enlisted in the army; however the young man could not stay away from his music and soon formed small bands on the side of his army duties.  One of the men in his small army band, Billy Cox, became Jimi’s bassist in the Gypsies after Noel Redding left The Jimi Hendrix experience.  In 1962, Jimi left the army, realizing that it simply did not mesh with his personality type. 
Jimi continued to play back up guitar for many bands and was on his guitar as often as possible.  Jimi "expanded the range and vocabulary of the electric guitar into areas no musician had ever ventured before to create new sounds through both his technical ability and his creative genius.  When recording his lyric parts in  the studio, Jimi would do so using an acoustic at all times to keep himself focused, grounded and centered.  Therefore, even when listening to only the vocal tracks of the album, one can hear the mesmerizing sound of the Hendrix guitar in the background.   No matter how wild Jimi's life would become, he held one thing steady throughout and that was his guitar.  At a point, Jimi became at one with his instrument and it was as if the music simply poured out of this heart and soul with the help of his five stringed tool.  This was stated by a critic for the British music magazine Melody Maker who said, "he had great stage presence and looked at times as if he was playing with no hands at all".  Jimi Hendrix did not introduce his music saying "I'm Jimi Hendrix and this is music", but rather would say, "I am music".

Recognition of the Album

The Are You Experienced Albums is widely acknowledged as one of the greats of all time.  Here are some of the honors it has received. 
1984: Ranked sixth by Creem magazine in a list of the top ten metal albums of the 60’s.
1994: Ranked most influential guitar album of all time by Guitarist magazine  
1995: Purple Haze was ranked number two by Guitar magazine in a list of heaviest guitar riffs
1999: Included in a list of 100 essential albums of the 20th Century by Vibe Magazine
2000:  A poll from Guitar World Magazine listed it as the greatest album of the millennium
2001: Named the fifth greatest album of all time by VH1
2003: Ranked Number fifteen on Rollin Stone’s list of the 500 Greatest Albums of All Time
2003: Named greatest guitar album of all time by Mojo Magazine  

#13-17: Wrapping Up the Album

The last five songs of the Are You Experienced Album have a very different tone than the first 12.  They are mellower, less psychedelic, an easy transition to the ending of one crazy album.  The change begins with 51st anniversary, as this is the first time that Hendrix even addresses getting old and moving on.  He talks about relishing in his youth and saving every last moment he can where he is not tied to any serious commitments.  The next song, track number fourteen on the album, discusses the ‘highway chile’, the man who has lived through a crazy childhood, who has been hardened and almost exiled from civilization due to his rebellious actions as a youth.  Here Jimi talks about what he possibly sees in his own future, looking beyond the parties, and playing music, ahead to the time where “his old guitar slung across his back, his dusty boots is his Cadillac, Flamin’ hair just a blowin’ in the wind, ain’t seen a bed in so long it’s a sin”.  Hendrix states that while a future society may label this man as a tramp, he can see deeper than that, because he can see what he once was.  He can see that he is a highway child.  This term can be interpreted in two ways.  The first is more literal; a highway child is like a motorcycle dude, a man hardened by years of running with no place to call home.  The term can also be taken to mean a man who took the high road as a child, who sucked all the pleasure he could out of his youth and now lives in his own post-golden age world.   
The next song, Can You See Me, leaves the futuristic tense and goes back to Hendrix not wanting his golden age to end.  He says “Can you see me? Begging you on my knees…Baby please don’t leave”.  This song not only cries to an era begging it to continue, but it also screams to every listener to really pay attention and to hear what Jimi is saying.   As the album comes to a close, this is Jimi’s last beg for all of his fans to listen and try to understand his purpose for the album.  It is a funal reminder to “open up your ears …you better come home like you supposed to do”.
Remember is also a song looking back, reminiscing about the good old days.  An interesting aspect about these good days is that Hendrix characterizes them as a time when the birds used to sing.  This suggests that Hendrix believes that in any good time, music will be playing. 
The last song of the album, Red House, is bluesy, and sad, a very soft smooth song that allows the listener to exit the album and their album experience with a nice easy taste in his or her mouth. 

From the Eyes of a Hippie

Ex-Hippie Leornard Cavise discusses the importance of music in during the hippie movement:

"Before going to demonstrations, we used to fire up some loud rock and roll to get ourselves pumped up for the demonstration and the confrontation with the cops.  Jimi Hendrix was not political.  He was a lover.  The album Are You Experienced was truly ground-breaking for a lot of reaons: it was a challenge to be as alive as possible, but this energy and excitement was achieved through  Jimi's incredible guitar lead. He was always stoned and that had an effect on us as well.  He could do thinkgs like light his guitar on fire while still playing it.  He pushed the boundaries and everybody loved that about him.

Cavise is now a professor at DuPaul University in Chicago.

Iconic Performance: 1967 Monterey Pop Festival

This was the defining point of Jimi's debut performance in the United States.  Jimi takes his guitar and burns it later saying, "It was like a sacrifice.  You sacrifice the things you love.  I love my guitar.  I'd just finished painting it that day and was really into it."
He and the band were already a hit sensation in the U.K. but at this point were only a small buzz in America.  The performance was so big that it set the stage for the release of the Are You Experienced Album in the U.S.

Are You Experienced in the Library of Congress

Each year, the Library of Congress picks 50 audio recordings to be preserved in the National Recording Registry.  These audio recordings are   are culturally, historically, or aesthetically important, and/or inform or reflect life in the United States.  In 2005, Are You Experienced was chosen to be preserved.  Examples of other audio pieces that have been preserved are F.D.R.’s fireside chats radio broadcasting, Kate Smith’s God Bless America, Frank Sinatra’s Songs For Young Lovers,  and The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band.  NPR did a short program on this selection.  The link can be found below:
In the NPR clip, there is a story about a young fifth grade girl who when asked why she like the album Are You Experienced, she replied, “it makes me want to go into my room and paint and write things”.  This shows why the album is so iconic and is still listened to today.  It is not just dancing music, it is not trendy music.  The music is an entire experience which brings out the creativity in a person.  It makes them not only think, but also makes them feel and desire to feel more.  It makes a person dig deep into their own artistic and creative abilities and wish to exploit them. 

Generations

The song 51st anniversary can be seen as a song directly addressing the generation gap between the hippies and their parents.  The song first discusses the happiness of the older generation with their marriages, their lifelong commitments saying “fifty years they been married and they can’t wait for their fifty first to roll around”.  This static ideology is at first ironic sounding as for much of the album, Jimi talks about going through life day by day, with no commitments, stone free, constantly changing depending on his personality of the day.  In the middle of the song however, Jimi changes his entire perspective talking about the down sides of marriage, about the adulterous lovers and makes it seem as if the responsibilities of children are overwhelming.  Hendrix discusses this aspect of marriage however when talking about the newer marriages, the marriages between lovers of his generation.  Therefore, The Jimi Hendrix experience suggests that while marriage and lifelong commitments worked wonderfully for their parents and the older generation, they are impossible to put up with for the younger generation, a group of youth that is free and without a chain.  At the end Hendrix says “I and ready, Let me live”.  This takes his point to the extreme suggesting that marriage marks the end of living, and therefore, that the older generation, while they seem to be happy, it not really living at all.